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Punch, or the London Charivari, Volume 102, June 25, 1892   By:

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"Punch, or the London Charivari, Volume 102, June 25, 1892" is a charming collection of satirical and humorous illustrations and writings from the late 19th century. The magazine covers a wide range of topics, from politics and social issues to entertainment and fashion, providing a fascinating glimpse into the concerns and interests of Victorian society.

The wit and cleverness of the contributors shine through in pieces such as "The Coming Man," a humorous look at a fictional political figure, and "The Autocrat of the Breakfast Table," a witty take on the morning routine of a typical Victorian gentleman. The illustrations are equally delightful, capturing the absurdity and pomp of the era with grace and humor.

While some of the humor may be lost on modern readers, there is still much to enjoy and appreciate in this volume. Fans of historical satire and Victorian culture will find plenty to entertain them in "Punch, or the London Charivari, Volume 102, June 25, 1892."

First Page:

PUNCH, OR THE LONDON CHARIVARI

VOL. 102

June 25, 1892

"VERSAILLES" IN LEICESTER SQUARE.

(OR, THE NEW BALLET AT THE EMPIRE, AS IT APPEARS THROUGH MR. PUNCH'S PINCE NEZ.)

TABLEAU I. The Park at Versailles. " Gardeners ," according to the "Argument" supplied with programmes, " are seen busily preparing for the arrival of King Louis the Fourteenth and his Court. " If tickling the gravel gently with brooms, and depositing one petal a piece in large baskets is "busily preparing," they are . The Gardeners, feeling that they have done a very fair afternoon's work, dance a farandole in sabots , after which Ladies and Cavaliers arrive and prepare to dance too; the Cavaliers select their partners by chasing them on tiptoe, the Ladies run backwards, and coyly slap their favourites' faces with bouquets. Here, according to Argument, " refreshments are served by Pages ." Don't see any; these particular Pages seem to have been cut. Dance follows: the Vicomte Raoul de Bragelonne arrives, but stands apart, taking no part in the dance, and looking melancholy. Fancy he is wishing he had learnt dancing in his boyhood, or else waiting for the refreshments to be served. On referring to Argument, however, discover that " his mind is occupied by thoughts of Louise de Lavallière, who was betrothed to him in her childhood... Continue reading book >>


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