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Punch, or the London Charivari, Volume 105, July 15th 1893   By:

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Punch, or the London Charivari, Volume 105, July 15th 1893 is a delightful collection of satirical articles, cartoons, and humorous essays that offer a glimpse into the social and political landscape of late 19th-century Britain. The witty writing and sharp observations provide a fascinating insight into the attitudes and concerns of the time, making it a valuable resource for anyone interested in history or literature.

The satirical tone of the publication is consistently clever and engaging, with contributions from various talented writers and artists. The cartoons are particularly eye-catching, offering a visual commentary on the issues of the day that is both humorous and incisive. The mix of light-hearted humor and pointed criticism makes for an entertaining and thought-provoking read.

While some of the references may be dated, the overall themes of the pieces are still relevant today, showcasing the enduring power of satire to illuminate the absurdities of human behavior. Punch, or the London Charivari, Volume 105, July 15th 1893 is a treasure trove of wit and wisdom that is sure to entertain and enlighten readers of all ages.

First Page:

PUNCH, OR THE LONDON CHARIVARI

VOLUME 105, JULY 15TH 1893

edited by Sir Francis Burnand

AN AFTERNOON PARTY.

... "The room is full of celebrities. Do you see that tall woman in black, talking to the little old lady? That is Mrs. ARBUTHNOT a woman of some importance and the other is CHARLEY'S Aunt. The sporting looking young man is Captain CODDINGTON, who is 'in town' for the season."

"And who are the two men, exactly alike, tall and dark, who are smoking gold tipped cigarettes, and talking epigrams?" I asked. I like to know who people are, and the person in the silver domino seemed well informed.

"Those are Lord ILLINGWORTH, and Lord HENRY WOTTON. They always say exactly the same things. They are awfully clever, and cynical. Those two ladies talking together are known as NORA and DORA. There's rather a curious story about each of them."

"There seems to be one about everyone here," I said.

"Well, it seems that NORA and her husband did not get on very well. He thought skirt dancing morbid. Also, he forgave her for forging his name in type writing to a letter refusing to subscribe to a wedding present for Princess MAY. She said a man who would forgive a thing like that would forgive anything. So she left the Dolls' House."

"Quite right. Is that not the Comtesse ZICKA? I seem to recognise the scent... Continue reading book >>


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