Punch, or the London Charivari, Volume 100, June 13, 1891 By: Various
"Punch, or the London Charivari, Volume 100, June 13, 1891" is a delightful collection of satirical cartoons, humorous anecdotes, and witty commentary that provide a fascinating glimpse into the cultural and social landscape of late 19th century England. The magazine's clever and irreverent take on politics, society, and popular culture is both entertaining and thought-provoking, offering readers a unique perspective on the issues of the day. The illustrations are top-notch, capturing the essence of the time period with a blend of artistry and humor. Overall, this volume of Punch is a must-read for history buffs, comedy fans, and anyone interested in exploring the complexities of Victorian-era Britain. First Page: PUNCH, OR THE LONDON CHARIVARI. VOL. 100. June 13, 1891. VOCES POPULI. AT A MUSIC HALL. SCENE The Auditorium of a Music Hall, the patrons of which are respectable, but in no sense "smart." The occupants of the higher priced seats appear to have dropped in less for the purpose of enjoying the entertainment than of discussing their private affairs though this does not prevent them from applauding everything with generous impartiality. The Chairman . Ladies and Gentlemen, the Celebrated Character Duettists and Variety Artistes, the Sisters SILVERTWANG, will appear next! [ They do; They have just sung a duet in praise of Nature with an interspersed step dance. "Oh, I love to 'ear the echo on the Moun ting! " ( Tiddity iddity iddity iddity um! ) " And to listen to the tinkle of the Foun ting! " ( Tiddity, &c. ) A White capped Attendant ( taking advantage of a pause, plaintively ). Sengwidges, too pence! Voluble Lady in the Shilling Stalls ( telling her Male Companion an interminable story with an evasive point ). No, but you 'ear what I'm going to tell you, because I'm coming to it presently. I can't remember his name at this moment something like BUDKIN, but it wasn't that, somewhere near Bond Street, he is, or a street off there; a Scotchman, but that doesn't matter! ( Here she breaks off to hum the Chorus of "Good Ole Mother in Law!" which is being sung on the stage... Continue reading book >>

Punch, or the London Charivari, Volume 100, June 13, 1891 By: Various

"Punch, or the London Charivari, Volume 100, June 13, 1891" is a delightful collection of satirical cartoons, humorous anecdotes, and witty commentary that provide a fascinating glimpse into the cultural and social landscape of late 19th century England. The magazine's clever and irreverent take on politics, society, and popular culture is both entertaining and thought-provoking, offering readers a unique perspective on the issues of the day. The illustrations are top-notch, capturing the essence of the time period with a blend of artistry and humor. Overall, this volume of Punch is a must-read for history buffs, comedy fans, and anyone interested in exploring the complexities of Victorian-era Britain.

First Page:

PUNCH, OR THE LONDON CHARIVARI.

VOL. 100.

June 13, 1891.

VOCES POPULI.

AT A MUSIC HALL.

SCENE The Auditorium of a Music Hall, the patrons of which are respectable, but in no sense "smart." The occupants of the higher priced seats appear to have dropped in less for the purpose of enjoying the entertainment than of discussing their private affairs though this does not prevent them from applauding everything with generous impartiality.

The Chairman . Ladies and Gentlemen, the Celebrated Character Duettists and Variety Artistes, the Sisters SILVERTWANG, will appear next!

[ They do; They have just sung a duet in praise of Nature with an interspersed step dance. "Oh, I love to 'ear the echo on the Moun ting! " ( Tiddity iddity iddity iddity um! ) " And to listen to the tinkle of the Foun ting! " ( Tiddity, &c. )

A White capped Attendant ( taking advantage of a pause, plaintively ). Sengwidges, too pence!

Voluble Lady in the Shilling Stalls ( telling her Male Companion an interminable story with an evasive point ). No, but you 'ear what I'm going to tell you, because I'm coming to it presently. I can't remember his name at this moment something like BUDKIN, but it wasn't that, somewhere near Bond Street, he is, or a street off there; a Scotchman, but that doesn't matter! ( Here she breaks off to hum the Chorus of "Good Ole Mother in Law!" which is being sung on the stage... Continue reading book >>

Genres for this book
Essay/Short nonfiction
Non-fiction

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