Punch, or the London Charivari, Volume 104, January 21, 1893   By: Various

"Punch, or the London Charivari, Volume 104, January 21, 1893" provides a fascinating glimpse into the satirical and comedic world of 19th century England. The collection of witty cartoons, humorous essays, and clever commentary showcases the sharp wit and keen observations of the writers and artists of the time.

The satirical cartoons are a highlight of this volume, offering a playful yet cutting critique of the social and political issues of the day. From poking fun at the upper class to lampooning politicians and public figures, the artists of Punch fearlessly tackle the issues of their time with wit and sarcasm.

In addition to the cartoons, the essays and articles in this volume provide further insight into the culture and society of Victorian England. The writers of Punch are unafraid to tackle controversial topics, offering sharp commentary on everything from fashion trends to politics.

Overall, "Punch, or the London Charivari, Volume 104, January 21, 1893" is a delightful and entertaining read for anyone interested in the history of satire and humor. The wit and wisdom contained within its pages are sure to entertain and provoke thought in equal measure.

First Page:

Of the many varieties of keeper, I propose, at present, to consider only the average sort of keeper, who looks after a shooting, comprising partridges, pheasants, hares, and rabbits, in an English county. Now it is to be observed that your ordinary keeper is not a conversational animal. He has, as a rule, too much to do to waste time in unnecessary talk. To begin with, he has to control his staff, the men and boys who walk in line with you through the root fields, or beat the coverts for pheasants. That might seem at first sight to be an easy business, but it is actually one of the most difficult in the world. For thorough perverse stupidity, you will not easily match the autochthonous beater. Watch him as he trudges along, slow, expressionless, clod resembling, lethargic, and say how you would like to be the chief of such an army. He is always getting out of line, pressing forward unduly, or hanging back too much, and the loud voice of the keeper makes the woods resound with remonstrance, entreaty, and blame, hurled at his bovine head. After lunch, it is true, the beater wakes up for a little. Then shall you hear WILLIAM exchanging confidences from one end of the line to the other with JARGE, while the startled pheasant rises too soon and goes back, to the despair of the keeper and the guns... Continue reading book >>